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A to Z at home: Cooking in Vancouver

The year of the virus has been a unique experience. It seems there is a pattern in their occurrence, at least when they are truly global, real pandemics. If their frequency is every 100 years (the Spanish flue in 1918, the First Cholera pandemic in 1817…), it is less likely for one person to experience such a horror twice in his/her lifetime. It is not like wars, certainly not like wars in Europe or particularly in the Balkan region, where one cannot live without experiencing war (unless dying from a disease or non-natural causes). (more…)

The first day

No sleep. My body (or my mind) doesn’t need a rest. It goes on and on. I tried with watching Netflix and it almost worked. But as soon as I closed my eyes, finally falling asleep, my brain was busy again and I was fully awake.

The sun was up, bright outside so I got up. Coffee on the terrace, looking at the water. Beautiful! Everything was nicer at the beginning of a new day.

The beach was so tempting and there was no real reason to resist. I changed and went out through the tiny door and white stairs, crossed the road, got on a narrow pathway that went to another flight of stairs carved into red, volcanic rock down to the beach. And the sea was waiting. Waves crashing on the rocks, sun coming out, still young. I could not smell the salt, but I knew it was there. I took of my shoes and walked barefoot on the the sand and water, timing my pace with waves.

I took photos of the horizon and red and black rocks. I took videos of that power coming in and bursting. I took it in slow-motion to feel the passage of time, wavers rolling in and pulling back. Watching them made me almost sea-sick and I remembered that vacation in Kavala when we kept jumping into the waves, over and over again, playing with danger of being pulled into, down, back to the vast of the sea. We were kids. We didn’t know the split second between being alive and beaming with joy, and being swallowed by a hungry mouth of the Aegean Sea. I lost my footing at some point and I remember that horrifying feeling of primordial fear. When I managed to come up, I stayed closer to the beach, in shallow waters. At the end of the day, when I went to bed, I was still riding the waves up and down, they kept coming at me. For the first time I experienced the sea-sickness, ready to throw up.

Long journey to the sun

I was so busy the day before the trip that I didn’t even have time for a sleepless night, or excitement about the journey. The morning began with a news about the flight being delayed for an hour. So, with scheduled 45-50 minutes of transfer time, we had very good chances of not making it to our connecting flight, which might have meant not even getting to Santorini on the day we were supposed to arrive. How many flights there are from Frankfurt to Santorini in a week? I didn’t want to think about it, as there was nothing I could do to change it.

Off I go, with my son driving me to the airport. I talk about watering the flowers, about the food in the fridge, about the bed sheets and washed laundry… He nods or responds with “yes, yes”, but I know he is not listening. I just hope my African violets will survive. The rest of my plants are more resilient and they will wait for me. It is still a nice feeling, that sense of pride, when your grown-up kids are doing what you have done thousands times before, helping them get to their destinations, driving them where they needed to go…

Bonnie is already at the airport and simply being together kills those 3 hours of waiting. I feel better now than how i felt last summer, when I took the first flight to Europe after the pandemic. More than nine hours on the plane was excruciatingly long after being at home for two years, or going for lengthy walks alone, around the neighbourhoods. Movie after movie, some chats, but no sleep. The pilot has made up for the delayed start but 30 min on Frankfurt airport is not enough.

We are running across the terminal. That gate A17 is so far away, this hallway, then that hallway, then turn left, take the escalators, then another set of escalators, then…. We can’t believe we made it. We crash in our seats on the plane to Thira, Santorini. I worry about the suitcases as there was very little time for their transfer from one aircraft to another, but you never know. We hope for the best.

The hope was in vain. As we watch the conveyor belt spit all types of luggage that is not ours, and notice less and less people around us, the belt stopped revolving. The report of the lost luggage, the taxi, stop at the market, drive to our Air BnB place, and we are finally there. It is never exactly as it is on the photos or what you imagined it would be. However, the host has put a nice plate with cheese, bread, olives and tomatoes on the table with two glasses of wine for our welcome – and that makes the arrival to the destination very special, despite of rain that started drizzling.

Not a lot of decisions that evening. How many hours of not sleeping? Packing an extra change of clothes and pajamas in my carry-on came handy, with our suitcases, probably still sitting quietly somewhere in Germany. Hot water in the shower never came for me, but I am too tired to worry about that, so a quick splash to rinse the feel of the journey and hop into the bed.

Throne

Thailand strangely brings back memories of school days and geography classes. I was part of the UN club, even then, interested in other countries, in far away lands. I picked Thailand for some reason. Maybe it was because the national flag colours (red, white and blue) were the same as the colours on the flag of my country. Maybe because of the pictures of the lacy, golden temples with eaves stretching up towards the sky, or the abundance of flowers everywhere. Or maybe I picked Thailand because of torquise waters in the magazines, that I carefully cut out and glued into my album, creating a “profile”, a presentation to use at the UN meeting. I can see myself sitting at the desk with a small flag on the stand next to my name tag, waiting for my turn to show off – everything that I learned to introduce Thailand to my classmates.

Regardless of the fascination with Thailand when I was in my early teens, my actual introduction to Thai food came much later, in Canada in 1997. I ended up in a restaurant with a group of my new foreign friends, not paying attention to where we were and what we were going to eat. Except for a few rare visits to one Indonesian and one Chinese restaurant in my home town, the only two with Asian food, I was absolutely unfamiliar with the dishes or flavours from this part of the world. I let others choose for me. The thing I remember was that I really liked what I ate, and I looked at the name of the restaurant on my way out. It was Thai. The encounter with the authentic experience and this country is still in waiting. One day…

Although it is now one my favourite types of food, I didn’t dare trying to cook anything Thai. This was a challenge, and, as it often happens, some of it became less of a mystery and more of a joy at the end of the day.

Thousand puzzles

How is this pandemic year
different from other years,
other hugless, kissless, touchless years,
seeing love from a distance,
seeing intimacy from a distance,
two meters apart or any other measurement?
Even two centimeters is a distance for me
because the line will never be crossed.

No caress, no fingers through my hair,
no skin under my fingertips,
to feel the blood going,
to sense the pulsing.
I am used to being alone,
I like my solitude,
I am fine.

The line cannot be crossed,
so at least I crossed the borders,
searching for other places,
to hug the unknown with excitement,
to kiss the horizons,
to touch the ancient stones and forests.
With myself as the only company,
and my apartment the unchanged scenery,
the world had much less to offer.

Online jigsaw puzzles
with photographs of various subjects and locations.
I break them apart in a second,
and while looking for a perfect fit,
I forget what they represent.
I build them back slowly
sometimes fast, competing with myself.
Under ten minutes and it is unbroken again,
revealing itself, beautiful places:
beaches, churches, mountains, streets,
deserts, everything.

I do them while watching TV.
I need an extra occupation.
I fall asleep and still move
the pieces on the screen.
After a whole day at my desk,
clicking on the keyboard,
I continue moving my mouse,
I cannot stop.
My shoulder hurts.

Another flower garden,
another winter forest…
I should rest in the evening,
I should let my pain dissolve.
Long into the night
when the city is quiet,
when my neighbour stops coughing.
I am still putting pieces together.
I am waiting for that moment,
when I will finally see
that emerging image,
the place I would rather be.

Even this pain is better than the silence,
it confirms my existence,
my fight against the windmills.

Trauma: The Road back

Two writing workshops that can help you build back your self-confidence and give you a positive way of dealing with some of life’s hardest situations. The opportunity to submit your written piece to a potential anthology. 

While the workshops build on each other, they can also be taken individually. $80 for two workshops, $45 for individual workshops.
To register please email Bonnie Nish at: blnish_pandoras@yahoo.ca 
Please pay at:  https://www.pandorascollective.com/donate.html 

April 30th online 10:30- 12:30 pm 
Moon Flower: Blooming in the Dark  

Trauma is anything that happens to us, physically or psychically, that is beyond our capacity to cope given our personal circumstances and development. Trauma devastates individuals and those who support them (Dr. Bonnie Nish, 2020). 

How does one navigate through the complex journey of reconnecting with self after trauma? Is it possible to find meaning for oneself in the wake of trauma and to reengage with life in a productive way? Recovering is different for each individual. Using writing for healing is a powerful tool which allows the writer to access previous experiences, understanding and information. 

Join us in this 90-minute online writing workshop and allow your imagination to help you open spaces, peel back layers and let go of trauma. Writing can help you build back your self-confidence and give you a positive way of dealing with some of life’s hardest situations. We invite you to bring your coffee and join a community, where coming together helps us feel connected and promotes further healing. Write, share and then eat your words. Seeing your words is just as important as sharing them. We will invite you to send us a line from what you write and we will create a unique edible flower with your words on it. You are welcome to eat them (ink is edible as well), display it, or share the words with the world.  

Please note that one of the purposes of this workshop is to generate writing that could possibly be included in a new anthology of personal stories surrounding trauma.  

Saturday, June 6th, 2022 online 10:30- 12:30 
Moon Flower: Back to Wholeness

Uncover some hidden pieces of your story as you pull together a collage of art and words to help you come back from events which may have had you stuck for years. Time to break molds and piece a new creation together. Surprises? Absolutely. Epiphany? Hopefully. Connections? Definitely. No experience necessary.  We will invite you to send us a line from what you write and we will create a unique edible flower with your words on it. You are welcome to eat them (ink is edible as well), display it, or share the words with the world.  

Facilitating workshops with:
Dr. Bonnie Nish is Executive Director of Word Vancouver, Western Canada’s largest free literacy arts festival. Bonnie’s first book of poetry ‘Love and Bones’ was released by Karma Press in 2013. Bonnie has a Masters in Arts Education from Simon Fraser University and a PhD in Language and Literacy Education from the University of British Columbia where she currently teaches. Her next book “Concussion and Mild TBI: Not Just Another Headline” an anthology of concussion related stories, was published by Lash and Associates in 2016. Bonnie is an Expressive Arts Therapist with a Certificate of Advanced Graduate Studies from the Vancouver Expressive Arts Therapy School who has worked extensively with youth and adults in high-risk situations. She has conducted writing and expressive arts workshops for over 20 years across North America. Her latest poetry book, Cantata in Two Voices, co-written with Jude Neal was released by Ekstasis Editions in 2018. Bonnie lives in Vancouver British Columbia, Canada. Find out more about her at https://bonnienish.com 


CALL FOR CONTRIBUTIONS TO A TRANSMEDIAL PROJECT: Trauma, the road back:

Your stories in augmented reality:Trauma is anything that happens to us, physically or psychically, that is beyond our capacity to cope given our personal circumstances and development. Trauma devastates individuals and those who support them. Dr. Bonnie Nish (2020)As our journey though trauma and challenging times continues to unfold, we discover that it is full of surprises, grief, loss, joy and wonder as well. It is full of grace and resiliency. “. It is through grace, the ability to hold my head high and move with elegance no matter what, that I find I am able to bear the magnitude of these changes (Nish, 2020).”We are collecting short narratives or poems depicting personal experiences of trauma and resiliency. These are important stories. How has the journey impacted your life and the lives of those close to you? We will be looking for a publisher with the aim of having the book published sometime in 2023/2024. Every story/poem may be accompanied by a short video turned into augmented reality experience. So, we will be asking for a 1-3 min recording. Please note that sending in your piece of writing is not a guarantee it will be included in the anthology. Only those selected for the collection will be contacted with more details about the video recording requirements.Please tell your story-in no more than 500 words.​Please send to blnish_pandoras@yahoo.ca– by July 25th 2022. – please put “Trauma, the road back” in the subject line.

Spain

Spain for me equals Barcelona as that is the only Spanish city I have seen, and I can’t imagine any other city that will be more magnificent. Yes, I am thinking about Gaudi. I fell in love with him with the first of his buildings I laid my eyes on. When I think about Gaudi, I don’t imagine his face, as I don’t even remember what he looked like on the photographs in the Gaudi Museum. I think of that glorious feeling of being inside an enormous sea shell, looking up at its mother-of-pearl walls and ceilings. The refraction of light in Sagrada Familia, offering a different experience with each visit, brings the presence of the divine.
Making and eating some of the Spanish dishes was a delight, despite of the fact that we kept it really simple this time. The dessert, again, was a novelty for me.

Sewing your heart onto the pavement

A new sawing machine staring at me
Like a horse that needs to be tamed.
It’s not about the horse being wild,
but about the rider,
hiding the fear of falling off the saddle,
remembering how to enjoy the breeze.

Patience and long hours
of pulling the bundles of fabric from the drawers,
from boxes under the bed,
the ribbons, the buttons,
the tailor’s scissors,
the measuring tape.
Deciding to do something new
now when the kids are grown up,
when the work doesn’t have to be reduced
to mending and zipper replacement.

I discover the joy of upcycling,
an opportunity for second life,
rebirth,
manifesting that there could be beauty again,
instead of it destined to a landfill.
Isn’t that what we all want,
another chance?
to take life less seriously,
to imagine the moment,
to do it differently this time,
take another road forward,
to erase at least one of ifs.

if I hadn’t fallen in love with you,
if I hadn’t said yes on August 2nd
if I had told you about the dream of me in black
if you hadn’t left home that morning in January,
if it hadn’t been cold, foggy and icy
If your blood had stayed in its vessels,
Instead of flooding your body.
If I hadn’t opened the door to receive the news,
If…

Humming, whirring, clanking
Thousands of thousands of steps on pavements,
of different cities,
stitching the days,
leaving and arriving
sometimes just strolling – stitch #4,
zipping up the pain,
breaking at seams.

if I had said the second yes
to divorcing, braking up another family
to build my happiness,
I couldn’t make a house
standing on the hole.
If I hadn’t said no to being a lover,
but not wife,
to expand instead of shrinking and turning inside;
if I had been stronger to stay and fight the demons
If there hadn’t been anyone on the other side of the phone
when I cried: save us!

If I had been weak,
let the water take me
like a paper boat giving in to the waves of the Pacific,
If I hadn’t set the alarm every morning,
running to catch a bus
instead of staying in bed and sleep,
just sleep…

Humming, whirring, clanking
Thousands of thousands of steps on pavements,
of different cities,
stitching the days,
leaving and arriving
sometimes just strolling – stitch #4
zipping up the pain,
breaking at seams.

snip, snip of scissors and the hum of the sewing machine.
ta-pocketa-pocketa-pocketa
wrrr
lub dub, lub, dub – like a heartbeat in the night
a pillow, a purse, another pillow,
a duffle bag, a quilt,a scrap onto a scrap
sewing my heart onto the concrete,
kilometers of a strong thread,
a gift from Ariadne,
that helps me get back home.

Events, Readings, Workshops, Exhibitions and Installations 2022

December 2022

My “Cursed poem” (“Prokleta pesma”) will be part of the Sea of Po: a poetry mag-app developed by Jim Andrews, an interactive app, a performative instrument that allows you to play with poetry and visuals.  The link to it will be available when the project is complete.

Only screenshots for now.

December 18, 2022

Monologues and Poetry International Film Festival

Virtual screening of the poetry film, Legacy, California USA

September 2022

Featured in Spotlight on the arts,

Arts Council of Surrey Magazine https://issuu.com/acsspotlight/docs/spot_0922_web

July 2022

CALL FOR CONTRIBUTIONS TO A TRANSMEDIAL PROJECT: Trauma, the road back: Your stories in augmented reality

Collaboration with Dr. Bonnie Nish: We are collecting short narratives or poems depicting personal experiences of trauma and resiliency. These are important stories. How has the journey impacted your life and the lives of those close to you? We will be looking for a publisher with the aim of having the book published sometime in 2023/2024. Every story/poem may be accompanied by a short video turned into augmented reality experience.

Please note that sending in your piece of writing is not a guarantee it will be included in the anthology. Only those selected for the collection will be contacted with more details about the video recording requirements. Please tell your story-in no more than 500 words.​ Please send to blnish_pandoras@yahoo.ca– by July 25th 2022. – please put “Trauma, the road back” in the subject line.

June 23, 2022, online 4-6pm (7-9pm EST)

Dragonfly Poetry reading

Reading at Annual Dragonfly Poetry Reading and Gallery Walk, a celebration of the publishing of the 2022 Dragonfly Arts Magazine. This free VIRTUAL event will feature local visual artists and poets’ work, offering reflections on life, love, trauma, justice, renewal, and hope. The evening provides a dynamic opportunity to experience the power of words and the vital role that the arts provide in promoting healing, awareness, and change.

June 6, 2022, online 10:30- 12:30 pm

Writing workshop, Trauma: The road back
Moon Flower: Back to Wholeness 

90-minute online writing workshop. Each participant will get a unique edible flower with his/her words on it. The opportunity to submit a written piece to a potential anthology. Read all the details at Trauma: The Road Back

April 30, 2022, online 10:30- 12:30 pm 

Writing Workshop, Trauma: The road back
Moon Flower: Blooming in the Dark

90-minute online writing workshop. Each participant will get a unique edible flower with his/her words on it. The opportunity to submit a written piece to a potential anthology. Read all the details at Trauma: The Road Back

January 2022

Cinematheque Film making Showcase


January 12-23
Using smartphones and free video editing software, each participant created their own original short film exploring questions and themes raised by the artworks at The Lind Prize 2021 exhibition.

The short films played continuously during the Gallery’s operating hours.

Participating artists included: Miki Aurora, Kaila Bhullar, Natasha Boskic, Sara Brinkac, Olga Campbell, Alexander Chang, Aurore Dupont-Sagorin, Noah Horn, Frances Hui, Alger Liang, Andy Liu, Sam Mason, Shannon Ruth Dionne Miller, Lyndsey Paramo, Jeremiah Reyes, Michellene Sigurdson, Carla Tooley, and Mimi Xia.

More photos...

https://thepolygon.ca/exhibition/cinematheque-filmmaking-showcase/

Back to events in 2021

Back to events in 2020

Back to events in 2019

Reminiscence

I was on vacation in Romania in my late 20s or early 30s. It was a short break from my work, from family, from my small children. Laying on the beach in Constanța next to the Black Sea, I was thinking about the fact that the Danube ended here, traveling for almost 3000 km, from one Black (Schwartzwald: Black Forest) to the other Black (Sea). Everyone was so welcoming, unaccustomed to tourists as the country was in the process of opening up to possibilities.

On our way back home, the bus made a long stop at Herculane Spa, established during Roman times (“Herculus Baths”) and know for its 16 thermal springs. I used the time to stroll through the town and then later on to hike up the trail into the mountain. The parking lot was at the entrance to the beautiful Cerna Valley Domogled National Park. As it was really early, the town was still asleep. Although it was summer, a heavy layer of fog was hanging low over the houses and buildings. I was carried away by the architecture, a combination of styles, each period leaving its stamp on the construction and habitats. Due to the politics and other priorities, this elite resort was neglected for years. The old buildings, with a combination of Austrian Baroque style, Romanticism, Neoclassical architectural elements, such as ornaments and reliefs, half in decay, looked mysterious and even eerie.

I remembered us a few years earlier, all glued to a radio broadcast of the demonstrations in Timișoara and Bucharest that eventually led to the execution of the Ceaușescu couple in 1989. We used the word Scuritate (his secret police) as a synonym for instability and oppression. Although my trip was in the 90s, the country was still recovering from years of Russian occupation and then Ceaușescu’s policies to deal with the foreign debt, that impoverished Romanians and exhausted the nation’s economy. After driving though pitch-black Arad, that had one of its frequent power blackouts, I think I was not the only one who sighed with relief when we crossed the border. It is always the people who suffer because of the politics, because of one person’s inadequacy or over-ambition of an individual.

Only much later did I realize how similar we were with our neighbours in culture, traditions and beliefs, including cuisine. They also like cabbage rolls, stuffed peppers, moussaka and even tripe soup (which is one of the rare dishes I’ve never learned to like), and many more. I mostly stayed away from the familiar and I discovered Romanian cheese/sour cream donuts, that I liked a lot!

River under the bridge

Dark and mysterious,
with whirls swirling fast,
like a water tornado
sucking you in and taking you with it
into its depth.
It claims life every year,
regardless of the swimmer’s experience.
It is like a dragon’s mouth,
always open.

Holding onto my mom’s hand
crossing the old bridge,
walking over aged and cracked timber sidewalk,
not damaged enough to be replaced,
but scary for a little girl,
I skip the hole through which,
the moving water calls.

Despite the sound reason saying:
look ahead, not down
and you will be free of fear,
there is something fascinating, alluring
about that imminent threat.
I imagine my feet slipping
and my whole body dropping
through the tiny crack,
my dress inflating like a balloon on my way down,
meeting the cold water of the Danube.

Numerous repairs and upgrades,
makes the bridge eventually safe,
but it still has a body of World War 2 steel cage.
As if testing my courage,
I go across it almost daily,
riding my bike to university,
catching a bus to go on a date,
watching the water level rising and subsiding,
fishermen trying their luck,
kids playing on both sides,
the sun rays gleaming of the waves.

When its body gets broken in multiple places,
repeatedly targeted,
the Danube is finally fed.
The bridge leaves its fractured bones untouched for years,
until it is pulled out from the bottom of the river
and probably taken to a scrapyard.
The river becomes even darker grey,
unfriendly to the crowds on ferries, rafts and boats,
as if asking for a break to chew,
for no more crossing,
for peace.

The Rainbow, they call it
because of the colourful lights
that illuminate the new bridge
and reflect into the water,
an illusion of needles stretched and thrust into the mud.

It has even nicer, unobstructed view
to both east and west.
I am not afraid of the river any more,
but we have very little to say to each other.
The words are all gone with a stream
to the Black Sea.

Quality vs. quantity

The dishes we decided to make as Qatari are prepared and served across Middle Eastern countries and they have variations in spelling (both the main dish and the dessert). I hope I am not making a huge mistake with the options I chose from the Internet.

I am not familiar with either majboos or mehalabiya. I might have made similar dishes before, but it is always a new ingredient that I learn about. In this case it was the combination of spices: cardamom, cinnamon, cumin, turmeric… and dried limes. They are also called “black limes” as they turn black inside when dried. In some countries, they call them “loomi”. I found them in Persian store. Although I needed only a few, I would assume it is used a lot, based on the size of the package I was able to find. They have intense flavour and add a whole new note to the dish. Now I have to figure out how to use the rest of them in my usual cooking. I thought about trying a black lime in tea, so I did a bit of research and they are indeed often used this way.

The photo of the tea on the website from the link above caught my attention because of the borage flower. Suddenly I had a memory flash, taking me back to my teenage years. I was quite a prolific letter writer at that time, sending and receiving letters almost daily from friends all over the country and abroad. One of my friends was from Rijeka (Croatia), but went to Iraq for a short period of time. I was in my early twenties. I still have all of those letters and I remembered that he sent me a dried flower from Baghdad. I remembered him saying that the flowers were hard to find in the desert, and that they usually had deep roots to hold them. Despite the war raging, he went out to pick one for me. In my naive and totally oblivious manner, I asked him about vegetation in Iraq and to send me some photos to “see” as if he was a tourist there. It was forbidden and dangerous, especially for foreigner soldiers, to take any photographs, but it was March 8, the International Women’s Day. and he wanted to surprise me. Equally young and reckless, he went to search for flowers. It is said that “fortune favors the brave” but I would add “and innocent”. Anything could have happened to him, but nothing had. He came back home eventually, got married… we lost touch. I hope he is happy and satisfied with his life somewhere.

Questions

How much do we know about each other?

How often we say:
“It is nice of him to do this for me.”
“Such a wonderful person, helping everyone,
bringing joy to everyone,
caring for everyone”
but not realizing that he doesn’t do it for ‘everyone’?

How terrifying it is not to recognize
that we have become someone special to someone,
and we brush it off?

How powerful is the heart’s call?
We swipe everything in front of us,
blind for pain or low voices,
pushed by glowing energy inside,
hoping that we can bring everyone along,
united, harmonious with our heartbeats.

Those without answer stay on the margin
forgotten.

When a heart is offered on a plate,
how vulnerable we are to every word, every action?
What is the meaning of the Cupid’s arrows
flying in different directions and never hitting a target?
Who is there to tell us that there will be
so many missed opportunities for love,
and so many mistakes that we will make?

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